Thomas BREWER, Pavin (a4); William BYRD In Nomine (a4); BYRD Pavan of 5 (a5); Michael PRAETORIUS Ballet (a5); Thomas TOMKINS Pavan (a4); Thomas WEELKES “O Care Thou Wilt” (a5).
TrTrTnBs (quartets) and TrTrTnTnBs (quintets).
When ordered for tenor and bass, we include Ortiz Recercada Prima instead of Byrd In Nomine. In Ortiz the slow tenor is for tenor/bass ; in the Byrd the slow part is in the 2nd voice to be played on Treble.

J.S. Bach. Art of Fugue. Contrapunctae.
In notation comfortable for viols (with alto clefs). Both scores and parts.

Brade, Intrade/Satyrs Dance, Weelkes madrigals “Make Haste”, “O Care Thou Wilt,” Your Beauty” (5 parts). La Paduana del re (Anon), The Hole in the Wall (trad.) tr tr/tn tn/bs bs [Play Along recordings available in the music store.]

THOMAS BREWER
Play Along SET 1: 4 Quartets tr tr tn bs
Airs in g minor: Pavin
Fantasias nos. 1 – 3

THOMAS BREWER
Set 2 : 5 Quartets tr tr tn bs
Airs in g minor: Almaine & Aire
Fantasias nos. 4 – 6

Byrd, William

Quartets Nos. 1, 2, 4, 5

Tr, Tn, Tn or Bs, Bs

Scores and play along parts.

Byrd, William.
Fantasia in 5 Parts (Two parts in one at the 4th above), Preludium and Ground, Browning The Leaves bee greene.
With treble, alto and octave G clefs, and bass clefs.

COPERARIO Fantasia 3 & 5 (quartets) tr tn tn/bs bs JENKINS Fantasias 5 & 6, Almaine 1 (quartets) tr tn bs bs. LUPO Fantasia 1 (quintet) tr tn tn/bs tn/bs bs

Branles des chevaux (after ARBEAU), Branle d’Escosse (after ARBEAU, Branle (Tielman SUSATO), Rond Tausend Ducaten im Sack (SUSATO), Branle de la Torche (Michael PRAETORIUS), Ballet CCVXXVIII (PRAETORIUS)
With treble, alto and octave G, and bass clefs.

Suitable for early keyboard and lutes as well as viols. Set 1. Tandernaken (Henry VIII), Hors oriens (Anon), Brunete by Jo. Stockem (4 parts: treble, alto and bass clefs). En l’ombre du busonet (Anon),(3 parts: treble, alto, bass clefs).
Set 2. For Seulement Josquin),Tandernaken (Senfl), Mon Mignault (Busnois), Vray Dieu (Anon), (4 parts: treble, alto and bass clefs.) Baraises moy (Anon.), (3 parts: treble, alto and bass clefs.)

Fridolin Ms. for Viol Consort or Lute ensemble.
24 Trios, 18 Quartets, 2 Quintets.
Staff notation: treble, alto, bass clef.
(The same repertoire as Giesbert’s Ein altes Spielbuch, in a more playable format.)

Gibbons, Orlando.

Fantasias Nos. 1-4 for Treble 1, Treble 2, and Bass viol.

Scores and parts.

Gibbons, Orlando.

Fantasia Trios for Treble, Tenor and Bass viol

Scores and parts.

Gibbons Fantasia 1 and 2. (4 parts), Tomkins Pavan 1 (4 parts). Byrd Pavan of Five Parts (5 parts), Elizabethan Play Along CD available.

6 duos by Orlando Gibbons in 2 versions: one set for 2 treble or bass viols, the other for 2 tenors.

Tobias Hume. Lyra viol duets (from Musical Humours,1605,and Poetical Musicke,1607). Available in 3 sets of 5.
Set 1. A maske, A mery conceit, A spanish humor, An almaine, The Spirit of Gambo.

Set 2. Musicke and Mirth, My joys are comming,The Dukes Almaine,The Earl of Montgomerys delight, The King of Denmarks delight.

Music is in score, in staff notation (alto and bass clefs).
Set. 3. The Spirit of Gambo,The State of Gambo, The Virgins Muse, Touch me sweetly.

Tobias Hume. Lyra viol duets (from Musical Houmours,1605,and Poetical Musicke,1607).
13 Lyra viol duets in viol-way tuning. In score. Staff Notation (alto and bass clef).

Set 2 I vostri acuti dardi (Philipe VERDELOT), Amore donna ch’io te porto, La Doune Cella (La Doncella), Artemisia (Aurelio BONELLI), Istrina (BONELLI)
With treble, alto and octave G clefs, and bass clefs.

Set 1 Fiorenzo MASCHERA , Libre primo de canzoni…a quattro voci (Brescia, 1584).
Canzon Prima La Capirola, Canzon Quarta, Canzo.
With treble, alto and octave G clefs, and bass clefs.

Viol trio (treble, treble, bass) with optional continuo and obligato bass.
Score and parts in clefs suitable for viols (treble, alto and bass clefs).

William Lawes Suite in c minor, Fantasia, Air 1, Air 2
2 treble viols, 2 bass viols (uses 7th string)

Giovanni COPERARIO (a 5) Fantasia no. 1 “Io son ferito amore” tr tr tn tn bs
Domenico da NOLA (a 5) Fantasia “O verde amena aprica” tr tr tn tn bs
Domenico FERRABOSCO (a 4) Fantasia “Io mi son giovanett’e” tr tn tn bs
Thomas LUPO (a 5) Fantasias “Ardo” tr tr tn bs bs and “Alte parole” tn tn tn bs bs
John WARD (a 5) Fantasia “Leggiarda sei” tr tr tn bs bs
Giuseppe ZARLINO (a 5) Fantasias “Ecce tu pulchra es” tr tn tn tn bs and “Nigra sum sed formosa ” tr tn tn tn bs

8 Scores: Quartet (1) Quintets (7) and requested parts

11 pieces by Zespedes, Guerrero, Vidales and others in 3-4 voices. Suitable for viol consort or lute ensemble. Study CD available; not a play along, but helpful for the rhythms.

ORTIZ, Diego Tratado de glosas sobre clausulas…Solo Bass Viol and Lute (in staff notation).
Set 1. Recercadas Nos. 1 and 6 over La Spagna Tenor. Recercadas Nos. 1 – 4 over chordal ostinatos.

ORTIZ, Diego Tratado de glosas sobre clausulas…Solo Bass Viol and Lute (in staff notation).
Set 2. Recercadas Nos. 2 and 5 over La Spagna Tenor. Recercadas Nos. 5 – 8 over chordal ostinatos.

Ortiz, Diego Tratado de glosas sobre clausulas…Solo Bass and Treble Viol to Lute.
Set 3. Recercadas Nos. 3 and 4 over La Spagna Tenor. Recercadas Nos. 1 – 4 over O Felichi Occhi Miei

Ortiz, Diego. Tratado de glosas…
Bass and treble viol and lute.
Set 4. Recercadas Nos. 1-4 over Douce Memoire . Quinta Pars.

Ortiz, Diego, Tratado de glosas…for bass and treble viol with lute accompaniment (in staff notation)
6 Recercadas over La Spagna tenor.
4 Recercadas over O Felichi Occhi Miei.
4 Recercadas over Douce Memoire.
Quinta Pars.
Each recercada fits on 1 or 2 pages. The accompaniment is for lute, playable also on keyboard or harp.

4-part chansons from Marguerite of Austria’s Songbook.
Set 1. Autant en emporte le vent, Au feu de l’amour, En espoir via, Fors seulement
Set 2. Mijn hert heeft. Plorer, gemir, crier. O Salutaris hostia. Pourquoi non.

Suitable for harp and early keyboards as well as viols (early 16th C.) 10 four-part pieces in score.

Sainte Colombe, Monsieur de.
Concert II Le Change, Concert VXVII Le Mesle’, Concert XXXVIII Le Mesle’, Concert XLIV Tombeau Les Regret

Set 1 January – June Sheet music
Treble and 2 bass viols. Parts and score.

Treble, 2 bass viols. Parts and score.
Set 2. July – December

SIMPSON 1 & 2, HINGESTON Suite no. 84 Fantasia, Almande 1 & 2, Courant. Bass viol duets.

SIMPSON 3, LOCKE Suite in c minor, Fantasia 1, 2 & Courant  ( Bass viol duets). TOMKINS UtReMi (quartet) tr tn tn/bs bs

Includes Bass viol parts in score for duets, and  Bass viol parts and score for Tomkins quartet.

In addition, for the Tomkins, Treble and Tenor parts are also included with a custom order of a playalong mixed for additional parts.

Alexander AGRICOLA (a 3) Tandernaken. tn tn/bs bs
Pierre ALAMIRE (a 4) Tandernack tn tn bs bs
Antoine BRUMEL (a 3) Tandernae tn tn bs
Henry VIII (a 3) Taunder naken tn tn/bs bs
Paulus HOFHEIMER (a 4) Tandernack tn bs bs bs

SET 1: 5 Tandernaken settings, 3 Trios & 2 Quartets. Low Consort: Tenors Basses

Eramus LAPICIDA (a 3) Tandernaken tn tn/bs tn/bs
Jacob OBRECHT (a 3) Tander naken tn tn bs
Ludwig SENFL (a 4) Tandernack Quatuor tn tn bs bs
Ludwig SENFL (a 5) Tandernack Quinque tn tn tn bs bs

Set 2: 4 Tandernaken setting . Low Consort: Tenors Basses
Trios (2) Quartets (1) Quintet (1)

Thomas Tomkins Trios. Fantasias 1-5 for 2 trebles and bass.

Score and selected play along parts.

Thomas Tomkins trios. Fantasias nos. 6-9 and 14  for treble, tenor and bass viols.  Scores and selected play along parts.

Thomas Tomkins,  Trios for assorted viols.

Fantasia 10 for 2 trebles and bass. Fantasia 11 – 13 for Treble and 2 bass viols. Fantasia 15 for treble, tenor and bass.

Scores and selected play along parts.

WARD Fantasia 1, GIBBONS Fantasia 1,2 & 3 (sextets) tr tr tn tn bs bs

WARD Fantasia 5, GIBBONS Fantasia 4,5 & 6 (sextets) tr tr tn tn bs bs